Author: Happy

  • PEOPLE ARE ALIKE ALL OVER

    The greatest thing about people is that the only thing that separates us is language. No matter where you go, they do the same things. They talk. They laugh. They love their children. They dread their commute to work. They head to the store for groceries. They catch up with their friends. They wake up. They go to bed. People are alike all over.

  • NEVER BEEN IN LOVE

    I’ve been in relationships. I’ve had crushes. I’ve loved and have received love, but I have never been in love. I’ve told people I love them, and I do- love is abundant and should be given freely, but I’ve never been absolutely smitten with a man in a romantic sense, where I would never want to be apart from him again. Therefore, I’ve never been in love.

  • RESPONSIBLE

    Do you ever wonder if you’ve ever indirectly caused someone’s death? Maybe you drove too slow through an intersection and a stranger behind you dies. Maybe your delay at a check-out lane afterwards put them in the right place at the wrong time. Very tragic, yet you’d never know.

  • O, YOU’VE RETURNED!

    In case you’re wondering why I’ve been uncharacteristically quiet lately, it’s because my means of communication has been hindered; every so often, the ‘o’ button on my keyboard will sporadically cut out.

    Why did it have to be O, of all things? Only one of the most commonly used letters in the entire alphabet? Look at that last sentence to prove my point right! I can’t even lament and say I’d prefer if it were Z or X- both of those I need for handy shortcut functions, and I don’t know which one would grate on my sanity faster.

    For now, I’ve taken to keeping a copy of O on hand in my clipboards, that way I can readily paste it into whatever word I need it for. It’s a real hassle when taking notes in class, especially when quick keystrokes are the difference between copying the whole slide and only three sentences.

    I’m still ever thankful when it comes back online. The first time it started going out, I thought perhaps I had a piece of lint or a crumb stuck in there; that was common for a key fault for me, and yet when I cleaned it out several times, I started developing the sneaking suspicion that that wasn’t the case. In my fifteen years of owning computers, I’ve never experienced a keyboard going out before. Well, that’s a lie. I just remembered I had a little laptop of mine whose keyboard started going out significantly- it was fourteen or something letters that I took to clicking on using my on-screen keyboard with a trackpad! Ah, to be twelve and writing on WordPad again. Not.

    So far, it’s also spread to my screen brightener key and, most recently, my +/= sign. That was one I discovered today, when I was trying to plan my future move to elsewhere and discovered I couldn’t add a + to my “pillows plus blankets plus covers” bullet point. It seems to be working fine now.

    As for the brightener key, that one is gone for good. I think I’ve had maybe one instance of it returning to me in the past several weeks or so, but nothing concrete. The same thing is happening to my keyboard backlight key, too, where it’s working also at the same rate of frequency as O.

    I’m enjoying my time using these as much as possible before they go out again. I’m not quite sure when they’re going to go back to not functioning. There’s no trigger to it, no pattern; it simply intermittently comes on and off when it feels like it. Too bad it wasn’t a dust bunny.

    Oh, and I’ve also been enjoying my time abroad as a student, though that’s a story for next time- one that will hopefully happen with a functioning O key.

  • AIRPLANES

    AIRPLANES (THE SLEEPWALKER)
    01-17-24

    Logline: A concussed planespotter has several out-of-body experiences as the people aboard the plane she witnessed crash, despite there being no record that this incident ever occurred.

    To access this script, please contact me here: happywithdrawal@gmail.com ★

  • THE MAKING OF: “OUT ON THE STREETS”

    I’ve always wanted to make one of these! This is the first ever process page to hit the blog although I’m assuming you’ve just read Out on the Streets. If not, it’s right here! I actually went on like a three minute detour trying to figure out if the “streets” in the title was supposed to have an “s” or not. (I never actually figured out what it was named originally.)

    This started off as a short semi-interactive story I wrote for my English class in 2018, I think, when I was a sophomore in high school. We were doing a sub-unit on old illness, like diphtheria and tuberculosis, and the illness my group got was the black plague. Back then, it was apparently called Out in the Streets and not Out on the Streets; a slight name change always seems to happen when I rewrite something.

    Anyway, I haven’t read the original in a while, but I still do have a copy of the presentation that I duplicated before my school account got wiped. Then it just sort of sat there. The slides still have the original file name, “black death storytime lol.”

    The sections of the story were originally divided into days, which were clearly indicated by a byline. This was to show the rough timeline someone could expect once they were infected. This was instead replaced with the spacers; I wanted the protagonist’s sense of time to move from concrete to disoriented after the symptoms of the plague set in, although admittedly it looks a lot jankier than I was intending.

    The detail about the protagonist being a body collector was something from the initial draft; I needed him to be in close proximity with the plague, plus I thought it was interesting. The mother and child were also there, though the rewrite places more emphasis on them since this moved from being about the symptoms to about a fate. This was also the first time I used a curse word in my writing, that being “damned,” which I also read aloud in class. I’m just now remembering this, haha. Perhaps having to read my own writing aloud in class made me suppress the memory.

    The title was a callback to this line from the first version, which I think I pulled after failing to come up with something other than “black death storytime”:

    You hoped that, by tomorrow, you would be out on the streets, lined up with the rest of the corpses awaiting their burning. Should you find yourself still in bed, you didn’t think that you could take it. 

    (Hmmm, maybe I should’ve kept this one…)

    It was about a few weeks ago that I opened the document harboring the story on iCloud, and I wanted to revamp it. Originally, I only rewrote a few lines since I’m trying to get out the habit of constantly revisiting and rewriting old stories, but I started getting the urge to change more and more, and thus decided that I should do the entire thing if I were going to publicly attach it to my name.

    This is actually pretty much the first time I rewrote a project without referencing the original at all. Even though I like to preserve little details I wrote in the first one, I sometimes find myself limited to stale ideas if I look at the old before making the new, since the old stuff sticks in my mind long after I view it, and then muddies all of the new creative waters. So this one was done blind!

    Initially, my reasoning for not rewriting it was because I had different plans for the story. I planned on turning it into a semi-interactive story. This was around the time I was doing a lot of coding for my Neocities website, so I thought I’d be fun to require a simple code that required you to click the final sentence to load the next part of the story. I might actually still do it; my plan was to host the non-interactive version here, and host the “coded” one on the Neocities container, assuming I even still decide to finish the site (and I probably will).

    While I wrote this when my knowledge of the plague was fresh, I actually had to go back and revisit a few things about the plague and plague times in order to make sure I knew what I was writing about, haha.

    The main research points consisted of the body collecting job that our protagonist has, and the actual symptoms/timeline of the plague once you contract it.

    This sticky note outlines part of my thought process pretty well:

    So the thing with the pus and blood is a redirection. Keep in mind, the guy was already bitten at the start of the story, and he described scratching his skin raw, which meant open wounds. This one study even describes there's no direct human-to-human trasmission of plague through any body fluids other than respiratory droplets, and some direct tranmission only occurred after close and prolongued exposure (which would make sense for a body collector). 
    
    HAHAA it even says the ones who contracted bubonic plague had open skin lesions on their hands or arms, which was a viable route on transmission while they handled carcasses! bingooooo. It's not the most reliable route of transmission, but it does become more likely when you have cuts or abrasions that are still open. Which, like all infections, makes sense. There, however, is an unknown length of time of infectiousness of human corpses, specifically their body fluids. Aka, we don't know how long human corpses are contagious for. There's evidence for plague transmission from human corpses, like transmission from bodily manipulation. "Direct skin contact with infected body fluids (mainly blood; it is unclear whetherother body fluids might also be infectious) could cause bubonic plague, or when a person has cuts on their hands, eventually septicemic plague." 
    
    Bubonic plague can develop into septicemic plague. 

    I wish I’d have taken note of the date for this before cutting it, haha.

    The fun part was getting to read all of the scientific journals outlining the transmission of the plague!

    Usually the research aspect comes before the writing process even begins, but since this was a rewrite, I had to frequently jump back and forth to incognito mode to answer questions as they came: body collection during plague, how were bodies handled during the plague, plague symptoms, etc. Then reading, and more reading, all of which was very insightful.

    (In other fascinating news, did you know they actually found the origin of the Black plague? It was here! I read this back in October. Apparently they found traces of it in the teeth of corpses in a mass grave in Kyrgyzstan! Cool, right?)

    The rewriting process officially started on November 18, 2024, with the bulk of the writing taking place on November on the days of the 18th, 20th, 23rd, 24th, 27th, and 29th. December accounted for three days- the 7th, 27th, and 30th. Finally, I moved everything over here to WordPress on the first of January 2025, where I then rewrote everything again over the course of the next four days. Today, the fourth, actually accounts for the least amount of writing- it was mostly about fixing the last four miniature paragraphs!

    Overall, this was a very fun experience! I used it to break up the time between writing my novel and creating What’s the Rush? It kept my writing muscle sharp in the midst of outlining, where I have to reel myself in to not start throwing out prose when I should be planning!

    And there are memories to go along with this story. I went last when presenting this, so I was rushing to finish reading it before the dismissal bell rang, lol (I’m noticing that seems to be a trend here…). My English teacher at the time again told me I should consider taking English honors. I was really lazy at the time and wanted more time for animating, so sorry I never took it, Dr. Watkins!

    And now, for the final results!

    Stats:

    Total writing time: 13 days total, mostly in November

    Final word count: 3,339 words (my fave!)

    Started: circa 2018 (first version), November 18, 2024 (rewrite)

    Finished: January 4, 2025

    Programs: iCloud, Google Docs

    Are we satisfied with it?: Yes! Mostly.

    Thank you so much for reading my fictional short story and my process post! If you’re interested in anything else I’ve made, I also have more. But that’s just a suggestion. Maybe a recommendation. I hope you enjoyed! Have a nice day!

    Happyface

    Sources.

    Jullien, S., Nipun Lakshitha de Silva, Paul Garner. “Plague Transmission from Corpses and Carcasses.” PubMed Central, 27 Aug. 2021, https://pmc.ncbi.nlm.nih.gov/articles/PMC8314843/.

  • OUT ON THE STREETS

    A red spot appeared on your arm. Strange. You don’t remember being bitten by anything today, and this definitely wasn’t a burn mark. 

    It starts itching a few hours later. Your chipped fingernails run across your skin in an attempt to get some relief, rubbing grime and flayed skin around your forearm. By the end of the day, there’s such a large patch of raw skin that the mark becomes nothing but a memory. The thought of it is buried under other distractions, like how much your muscles are aching. Body removal is no easy feat. Soreness wracks your body just like it has every day prior, but the severity today elicits groans.

    These are the days you missed your apprenticeship at the forge. Had you not been young and able-bodied, perhaps they would have passed you over for recruitment when the parish found itself in desperate need of hands. It would make you equally as sore, but you would gladly take being sprayed by flecks of hot metal over the constant scent of death and ash permeating your skin.

    It’s rare you make it home before the sun sets lately, but you’re happy today becomes one of those days. The rising demand for labor meant you’d sometimes be digging until the sun would reappear the next morning, and it was starting to get to you. You yawn. Treating yourself to an early night sounds like a good idea.

    It’s cold. 

    The beginnings of winter had been nipping at your nose over the week, but this became a very sudden change. You’re unwilling to separate from the warmth of your bed, the unsourced chill of your environment plaguing you with a deep internal discomfort.

    Your teeth click together involuntarily. You hope clutching your threadbare blanket closer to your limbs will stave off the cold, but the shivering only worsens. You grip the blanket tighter. 

    It’s when your knuckles brush against your face that your confusion only grows. Despite shivering as if left out in the snow, your skin is burning hot. Very hot. It’s paradoxical and only makes you more hesitant to part with your bundle of blankets, but you do. You long for the heat again.

    To find a semblance of warmth again, you sacrifice another long-sleeved linen undershirt as you redress in the clothes you’ve used assigned to collection. Even disregarding the added layers, you feel ill-balanced and stiff as you leave your house. 

    On the way to work, there are the sounds of children screaming in delight, a rare occurrence these days. You see them before you hear them, a chorus of glee cutting through the tense, stagnant air lining the streets. Never is there much sound lately, other than the intermittent bells on churches and wagons. You want to interrupt the children and tell them to head back inside, but it’s much too dangerous to approach anyone lately. Even if you wanted to, the only glimpse you get is the dark linen dress of a girl rounding a corner, presumably chasing after the rest of her peers. Their lighthearted screeches grow fainter as they disappear down the narrow road, taking their glee with them.

    The labor demanded of you is hard that day, just as it is every day prior. You lose count of how many thresholds you cross, how many corpses you carry in your arms, how many times you avert your eyes to avoid the gaze of death boring into your skull. You work in silence with the men beside you, the only regular noise beside grunting being the creak of the wooden cart. Sometimes the sounds of families weeping travels through their handkerchiefs and out their doorways, people watching you steal their loved ones away. The pile stands higher than you by the time your shift is done.

    You’re not tasked with digging today, so you collect a hefty payment from the parishioner and make your way back home. The vinegar-soaked cloth tied around your face comes off before you even hit your doorstep, eager to be freed from its itchy dampness.

    The first hour of your night is filled with tossing and turning. You blame your restlessness on missing dinner, though despite that, you’re not really all that hungry. The bed feels even colder than it did this morning, and the temperature discrepancy keeps you up a second hour. Not even the radiating heat off your body supplies warmth to your spread.

    After the third hour of fretful shifting, you finally achieve a position that quells your curling nausea and adds an iota of warmth back to your limbs. Comfortable now, or at least convinced by the illusion of it, you drift into unconsciousness with prayers that the feeling will wear off tomorrow morning.

    It’s before dawn even breaks that you’re thrown back into wakefulness. 

    Your head doesn’t appreciate the sudden change in orientation when you jolt awake. It spins and swirls, and you have to catch yourself on the edge of the bed when the world momentarily goes dark.

    Though it takes longer to chase away the shaking in your legs, you get up and prepare for work, donning the same semi-soiled clothes you wore the day before. Today you’re expected to bury, which means you most likely won’t see nary a bed nor wink of rest for the next fifteen hours.

    The acrid smell of decay inspires a headache behind your eyes, though the labor distracts you from the discomfort. The first half of the day features beads of sweat running over your eyebrows despite the chill in the air. You push the cart with quivering arms, much to your embarrassment. It goes unnoticed by the four other men in your group today, all preoccupied by shouldering bodies and their own burdensome thoughts.

    Tucked away in one alley lies seven bodies stacked in a toppled pile, all in various stages of bloated decay. Each of you silently go to collect a heavy linen-wrapped parcel.

    The one you end up moving towards is smaller in frame than the others. You peel back a corner of the crudely-wrapped sheet and get greeted by the ashen face of a woman, cheeks sunken and brushed with the limp matted coils of her formerly yellow hair.

    Beside her, you realize, is a smaller linen wrapped in her arms. Short brunet hair peeks out from the sheet atop her nightgown. A child. A boy, to be exact, too small to be any older than four. His own filled cheeks have the faintest bits of rosiness still in them, obscured by blackened flesh and festering, decayed sores.

    The position they’re in makes them too awkward to carry together. If you want to get them to the cart, you have to separate them.

    The mother is stiff as a board. You pry her arms away from her offspring, fighting with some unknown factor in death that makes the body harden. She’s stubborn and unforgiving; you practically have to twist her arm to wedge him away, as even in death she carries the maternal instinct to shield her offspring from the world. As you lay the body of the boy gently on the cobblestone, you ignore the wisps of the wind curling around your ear that carry her voice: Please, please, return my child to me.

    Once you have her secured on the edge of the cart, you turn back for the body of the boy. Her wailing follows you, please, please, bring him to me, please. Fortunately for you, no one seems to have touched the messily splayed sheet containing the boy. You bend down and scoop him into your arms, the lightness of his corpse disturbing you.

    In your momentary distraction, you stumble on a cobblestone. Reflexively, your arms open wide to catch yourself, and the exchange for your balance results in you dropping the body of the four-year-old. He thuds against the ground. The collision squishes a blister on his back, and when it pops, a dark, congealing liquids leaks through the sheets. You wince. You’re not unfamiliar with the smell, but today it’s more repugnant than usual.

    You fight back the urge to retch as you take the boy into your arms once more, holding him a bit tighter than necessary as you bring him back to his mother. You feel like her expression darkens at you, not only for the rough treatment of her son, but also from the way you’ve permanently altered the embrace on her child. Her arms will not go back down.

    The plots of land beside the churches filled to the brim weeks ago, so you and the men undergo the grueling task of taking the cart several miles out to a trench only partly used. There, another group of men work tirelessly to pass and arrange the bodies in a deep grave, their heaving only broken by the shifting of dirt.

    The strong stench of decay knocks your headache firmly back into place. A man hands you a shovel and tells you to pack dirt over the bodies they’ve already laid out. As you scoop dirt from the pile, you try to ignore the rows of faces looking back up at you. Some contented, free from pain. Some with half-lidded eyes thick with delirium. Some with faces frozen in perpetual agony, marred with deep bruises and crusted blood on the corners of their mouths. Mutters of endless prayers spill out from your lips the entire time.

    You shovel for hours, your hands garnering ripped callouses that fold away from your palms, revealing the raw, wet flesh underneath. It stains the length of the handle with trace bits of blood and clear fluid, where thin splinters lodge themselves into your fingers. The stinging makes it hard to grip the shovel correctly, but still you persist.

    On one row you come across a familiar face. It’s the mother again, looking perturbed and restless, like her eyes would dart about if she were still able to move them. Her arms are empty again, encircling nothing but air, and it’s there you understand her agitation: her song is missing. You realize he must have fallen out of her linens again. She looks to you, pleading, knowing that you’re responsible for fixing this. You have to.

    Your eyes scan around, and finally you spot him. He’s nearby, the collectors having placed him between the hulking bodies of two grown men. That won’t do.

    You set down your shovel and scoot down the edge of the grave, slipping down the side until your feet are planted on a soft surface. Careful now, you maneuver over the bodies and make your way to the boy, careful to step only between them. Your ankles sink deep into the carcasses arranged several feet deep. It’s hard to keep your balance, but you get to him with success. Slowly, you bend down and rescue him from where he disappeared between the shoulders of the bodies beside him, and you cradle him close to your chest, promising this time to not drop him even as fluid moves thick down your forearm.

    Once you get to the mother, it’s like she knows her son is in range. You stoop down again to let down the boy back against his mother’s bosom, adjusting her arms once again to envelop her offspring. Her arms are more malleable now, and maybe it’s because she’s more relaxed now. Maybe you’ve corrected your earlier sin in her eyes. Her turbulent expression settles into something more relaxed, more warm, and maybe what follows is a thankful smile. Her shoulders seem to relax around the frame of her son, and with a deep exhale of contentedness, the mother finally rests.

    Your palms burn as you lift yourself out of the ditch, tiny granules of dirt sticking to the sticky open flesh. You return to shoveling with little else on your mind.

    The underside of your arms burns. Even lifting it away from your torso produces a burning discomfort like no other, the inflammation limiting your range of motion. You slip your fingers between the slight opening to palpate the swollen, tender mass.

    You know what this is, as horrific as it is. You see the same things on the people you carry out to the street, the same large, angry boils engorged with pus and fluid, the kind that will overtake your skin in legions of lesions decorated with decayed, charred flesh.

    Your mouth goes dry. You thought you felt something hard on the underside the day prior, but you thought that it was just discomfort due to shoveling. Now, the mass nearly consumes your underarm, pulling your skin taut with a milky, foul-smelling fluid. A second bump forms nearby, still too premature to do anything other than kill off the hair above it. It won’t be long before it swells to twice the size.

    The collectors have already lost several men, so you drag yourself to work for what’s shaping up to be the final time. Your teeth take the brunt of today’s abuse. You grit your jaw with the use of your left arm, which only stiffens more by the hour. You stop any whimper that tries to slip past your lips, including the one that nearly rings out when you lose your balance and bump your arm into the doorframe.

    You spent hours making up for the work of another downed man, an older gentleman whose name disappeared in the foggy confines of your mind. You can hardly recall the events of today, every memory a slew of aching muscles and burning reddened boils. Even your lips feel fatigued, though through your febrile haze, you recall the nonsensical ramblings of final rites you tried to give to the carcasses at your feet.

    When you collapse into bed this time, you’re careful to avoid your injured arm, which is now completely immobilized from a swollen blackening boil underneath. Heat pours off the infected skin in waves, enough that you can feel it burning through your tunic.

    You lift your sleeve. Two more ugly pustules begin to mature under your arm. Another tries to sprout near your neck.

    If there are anymore in any place you can’t see, perhaps you would find yourself happy through ignorance.

    The violent twitches overtaking your body rouses you from sleep. The sun has barely chased away the dawn, though the cloud of disorientation still weights heavily on your mind.

    When you turn away from the window, subtle bits of liquid agony shoot through your limbs. You don’t fight back the cry this time. Something on your stomach hurts.

    You build up enough courage to flip yourself over, your short, jagged breaths of exertion interjected with moans. You can hold yourself upright just long enough to prop yourself up against the freezing cobblestone wall.

    The tousled thin blanket draped across your hips falls lower, and your crumpled shirt caught against itself, leaving your abdomen bare. You’re quick to move aside the remainder, where you’re greeted to a sickening sight.

    Dark blotches paint your chest and abdomen, and pieces of your skin shine as the early stages of buboes begin to form.

    Your breath hitches, then quickens. You crane your neck around to see your back, but a hardened mass on your neck forces you to turn the other way.

    Across your back, more discolored flesh. Dark patches black as night climb up your torso like mold. One pustule on the small of your back has already erupted, leaving sticky, crusting fluid discoloring the waistband of your leggings.

    The revelation leaves you feeling weaker, and you slump back into a horizontal position, too weak to adjust yourself into a more comfortable position. If you can hardly support your own weight, there’s no way you’d be able to lift anything today.

    The parishioner will surely come looking for you, although a sudden absence after weeks of routine attendance typically meant one thing in these ages.

    You conjure up just enough strength to place the sheets back on your body, and for the prayers to be muttered from your lips.

    It’s dark outside now. So little moonlight filters into your room that you can hardly even make out your nightstand. You have no idea how many hours you’ve been sleeping.

    Despite only half-emergent from sleep, you’re already stricken by copious amounts of aches and pains. Even breathing becomes a shuddering tale of agony.

    You can’t sit up anymore, although you lift your head just high enough from your pillow to catch sight of your toes. Already the blackness has spread to your feet, turning them into curled, blackened nubs. Your fingers aren’t too far behind, the tips already succumbing to minor discolorations. You wonder if your nose already looks the same way.

    The sweat building up on your forehead starts to dribble in your eye, and weakly, you muster enough movement to wipe it from your eyelid. Your other arm lay useless at your side.

    Every time you wake up, you’re surprised. You’re not sure what to expect anymore. The leaden heaviness that strikes all your limbs makes them all as useless as your left arm. Soon, you will be no different from a log.

    Through haze, you long for water to quench your thirst, or a bowl of soup to fill your stomach. You wish you had any family left to attend to you, or a nun that knew where you were.

    A wet, hacking cough rattles your ribcage. The action throws your body into unwanted movement, sending a burning pain down your shoulders and spine.

    The cough worsens, and it’s vigorous enough to bust another pustule on your back. Warm pus spreads out on the underside of your skin, and the smell that creeps out from under the covers makes you gag. It’s uncomfortably sticky.

    You want nothing more than to wipe it off, but you’ve lost the ability to sit up. You have no idea how long you’ve been bedbound, how long you’ve barely been on the verge of consciousness and failing health. Your body trembles, the entirety of it damp from sweat.

    You wonder how long it’s going to take for the collectors to find your body. You live alone and never married, so there was no one to put you outside. You came across houses like that, sometimes, where every member of a family perished, entombed in their humid homes until somebody either noticed the smell, or noticed they were gone.

    You think back to the mother and child. You wonder if they died together in that embrace, if she soothed her offspring while the figure of death slipped into their rooms and whisked them away forever.

    You wonder who went first, whether the mother wept at the ceasing of his little breaths against her skin, or if the child became gripped with confusion when the vibration of his mother’s heartbeat stopped filling his ear. You wonder if you would feel the exact moment your heart went to rest, whether you would realize that you were dying.

    When you’re discovered, what would happen to you? Where would they snuggly fit you amongst the ranks of strangers? Would you be left out on the streets, unattended for days by men overwhelmed by carcasses piled high, all-consuming and forever replicating, until death swallowed the everything whole?

    From somewhere across the city, church bells ring. Your eyes are too heavy to open, so no matter what hour they announce, it’s all the same for you.

    You find comfort in the melody, and through cracked lips, you hum it to yourself. It brings forth the comfort of a mother soothing her child with a lullaby, like a sermon bringing a soul to rest.

    You grow sleepier. The humming continues, and the vibrations from the bells fill every inch of your insides. It fills your ears, fills your head, fills your heart, and when it escapes your lungs in an exhale, you embrace the sound as it beckons you home to be with your Lord.

    Interested in how this was made? I have a behind the scenes post that features the making of “Out on the Streets”! ★

  • THE ENTITY

    Across three dreams last night, I was confronted with an entity that looked just like me. Each time took place in a bathroom at the end of the dream, and only when I was alone. Our appearances were exactly the same, even down to the clothes we were wearing. The first time, I noticed it in the mirror staring, and I started screaming as I turned around. The second time, it was the same, except it approached me as well. The third time, I only turned around to be greeted by it in an empty public restroom. This time, it grabbed my wrists and tried to pull me to somewhere, all while I kept screaming.

  • GOING DOWN?

    Elevators scare the hell out of me. I don’t even know why. I’m not claustrophobic- I actually quite enjoy small, tight spaces (not the spelunking type, though)- so it’s not the common reason typically associated with fears of elevators.

    I’m not scared of getting trapped on one either. To my knowledge, it’s never happened to me, so it’s not like I’m operating on prior fears. And I can’t recall ever witnessing something in Final Destination or some other equally paranoia-driven franchise that would inspire my lifelong determent of them. As long as I didn’t have to pee, I probably wouldn’t be anything other than bored if I were to ever get trapped in one.

    Still, I take the stairs whenever I can. Last year I did several flights up and down a day just to avoid getting on my dorm’s elevator. I’ve never had to walk more than a few flights, but if it were ever anything significant, I’d probably try to rationalize walking twenty-seven flights of stairs if it meant avoiding an elevator. At least it means I’m healthy.

    That was not an option today. While looking for a small little place trapped inside a huge Hilton hotel, I noticed there was an absolute lack of stairs. The escalators were all marked off, no doubt due to the various renovations and repairs going on. It was almost dizzying how huge that place was; I almost felt like I was wandering around a level of Anemoiapolis or something. It didn’t help that there wasn’t hardly anyone around. That makes sense, since I really doubt vacation-goers would be up at eight in the morning anyway, but I would’ve appreciated some company. The longest stretch of hallway I wandered was this expanse of carpeted floors, fluorescent lights, and not a soul in sight. The music crackling over the speakers did nothing to assuage my fears.

    Then came the elevator. At the very end of the long carpeted courtyard were two presumably Otis model elevators- I used to watch elevator maintenance videos for fun during the time I binged USCSB videos and paternoster facts, so I should know. As if the music and the desolation weren’t already eerie enough, one of the elevators was already open.

    It freaked me the hell out. No way was I getting on this thing. My first assumption was that it was actually out of order, especially since I kept seeing yellow tape and sorry signs all over everything on the walk there, so I starts looking for some stairs thinking I’d have to take them, anyway. I have to say, it seems like a real OSHA-worthy safety hazard that there weren’t any stairs in sight. I’m not kidding when I say I didn’t see a single staircase there the whole time, which seems like a bad idea in a huge hotel packed with people.

    Anyway, I hopped on in and selected the button for the sixth floor, and then gripped the railing as I waited for…nothing. The elevator didn’t move. I started freaking out thinking it was broken, until the automated voice started assaulting me with messages. “DOOR CLOSING,” which it only said after I promptly hopped right off of it. “GOING UP,” “DOOR OPENING,” “SIXTH FLOOR,” “DOOR CLOSING,” and it just came in rapid succession, one right after the other. It didn’t even give itself time to breathe.

    That’s what unnerved me the most. It was this voice calling into the abyss, just me and no one else around. The thing groaned and eventually moved after a moment, and I grippe the handrail even tighter. It’s always my first instinct to move to the bar and hold it tight, but this ride was accompanied by my heart about to leap out from behind my thyroid.

    The doors opened, and I promptly scurried the hell off, pointedly ignoring the fact that the elevator was still moving even after the doors opened. The lift was still there even after my brief fifteen minute appointment, but now that I was no longer hounded by nerves over potentially being late, I was a bit more at ease this time around.

    Still, I could hear through the shaft the sound of the automated voice again, illegibly shouting something to the empty car. When I got back on this time, I tried not to get too uneased by the taped over, broken button right below mine, and even more intently tried to ignore the doors sliding closed with the announcement, “GOING DOWN.”

    It’s just an announcement, just a fact, but that phrase still bothers me immensely. I have no reason to be scared, but the voice really outlined why I’m so averse to elevators. Going down is only desired to a certain extent, but please, don’t let me go down further. Let me go to my floor and not any lower than that. Let me be back on solid ground. When I was a child, I had a small fear of heights. I feel dizzy when I’m not on the ground. Perhaps this is a remainder of that, that I’m just scared of an unexpected fall.

    These things come with safety mechanisms to ensure that doesn’t happen. But sometimes, just sometimes, I wonder if those measures would fail just for me.

    I’m proud, though. I rode two whole elevators today of my own volition. Even still, I like being on solid ground. I think I prefer the stairs.

  • WHAT’S THE RUSH?

    You’re late for work again. This isn’t the first time that’s happened, but it’ll be your last if you don’t arrive on time today. Your boss informed you that your work may be up to par, but they couldn’t ignore your incessant tardiness anymore than you could ignore the second hand on a clock. If you didn’t arrive at exactly 8:00 AM on the dot, it’d most likely be the last time you’d ever have to bother.

    That led you to speeding as fast as your route legally permitted you this morning. Only four days into your new routine as a changed, ideal employee, and of course you would already be running behind. You didn’t even spend a moment gathering breakfast or buttoning up your shirt right; you could do that at the office when you arrived on time.

    For a split second, you think that perhaps you should call ahead and let your boss know you’ll be late, but your fear gets the better of you. No way you should tell them now; you’ll most certainly be fired this time. No, if you hurry, you should make it there on time.

    Even though you’ve already been stopped by three red lights, you’re still making good on time. It’s hard to convince your nerves of that, since your leg is still shaking something fierce, but you might actually be fine. You’d make it by the skin of your teeth as long as you weren’t stopped again. By this point of your route, you wouldn’t have to worry about anymore lights, but that didn’t mean it was over just yet. You still had the remaining obstacle of the train.

    You zip through the last intersection and make a slight right down the unpaved road. Maybe you’d get lucky today and it wouldn’t arrive. If it did, you might as well turn around and go home. It always took no less than twenty minutes for it to pass, and that just wasn’t time you had today.

    The tracks look empty right now. So far, so good. The cars in front of you have long since thinned out and dispersed, so you feel comfortable speeding a bit. The needle on the speedometer quivers just barely over 40 MPH. Sweat nearly sends your palms slipping off the steering wheel, but you stay firm. You can feel victory upon you. You’re almost there.

    A whistle cuts through the air. Your eyes dart forward, and there you see the flashing lights of the crossing start up. Even farther ahead, off to the side, beyond the pinging back-and-forth lights, you spot the train fast approaching.

    Shit. What’re the odds of that? Even then, it still looks quite far away. If you hurry, you should be able to make it.

    Your foot inches towards the accelerator and presses it down oh so gently. Your speedometer climbs to 45 MPH.

    46. 47. 48. You’re fast approaching the crossing now, as is the train. 49. You still have a leg up on it, so you get down on the gas and depress it some more.

    50. 51. The needle creeps forward. 52. 53. 54.

    The train’s horn cuts through your ears, louder this time, nearly dividing your head with its piercing sound. You feel your heartrate pick up, and the thudding violently smashes against the walls of your veins. You’ll be fine. 55.

    There aren’t any arms guarding the crossing, so you’ll be free to dart across safely as soon as you breach the tracks. It feels like they can’t come fast enough. 56.

    Closer now, you can hear the wheels knocking against the tracks. 57.

    The train looks like it’s about to overtake you. You might not make it. Your mind fills with all sorts of terrible images of sitting in your boss’s office, head inclined in a meeting with HR that ultimately ends with your promised final paycheck. 58.

    You can’t get fired from this job. You’ll have nothing left. The fear only makes you drive faster. 59.

    The horn makes your head feel like a fleshy balloon about to burst. The conductor doesn’t lay off the horn. You can’t slow down now. You’re not going to make it if the train stops you. You have to make it across.

    The cars in your side mirror trail off somewhere behind you, their headlights becoming small pinpricks in the rear. Nubs of white peek out from underneath the skin of your knuckles. You can feel the adrenaline writhing around in your intestines. 60.

    This is it. After you get on the other side of the crossing, you’ll be home free. You think about the sight of checking in while the clock still reads 7:51 AM, the impressed face of your boss peeking out from behind the private office shades, approving of your changed behaviors. 61. You take comfort in the image of your paycheck, received at a regular rate of every Friday, same as always. 62.

    The accelerator is nearly flush to the floor, the same way your teeth are smashed against each other. You try to drown out the sound of the train’s horn shooting through your head, the headlights filling the cabin of your truck, the metal wheels striking the track, the metal grill striking your door-